Live Fire Exercise (Royal Ballet)


Wayne McGregor / John Gerrard - Live Fire Exercise as performed by The Royal Ballet May 13th, 2011
9m x 7m artist - designed frameless rear projection wall

As with the other works in the Exercise series, Live Fire Exercise has been developed from a single image: a photograph from what is known as a 'live fire exercise' by the US Military, or an exercise using explosives. The photograph was sourced on the US military media interface site Defence Video and Image Distribution System: www.dvidshub.net

In addition to existing as a room-based installation in the line of other John Gerrard works, Live Fire Exercise exists as part of a stage production, and in interaction with live performers. This instantiation of the piece was a response to the commission of choreographer Wayne McGregor, who choreographed to it a 25-minute performance by the Royal Ballet. The work premiered at the Royal Opera House, London on May 13th 2011.

For the production, the scene is rear projected at 9metres by 7metres on a freestanding wall set upon an empty grey plane of a stage. In the scene the original location in Djibouti has been recreated in the virtual, and populated with military vehicles sourced in the original image.

Dancers : Federico Bonelli, Lauren Cuthbertson, Akane Takada, Ricardo Cervera, Eric Underwood, Sarah Lamb. 


Credits:

Production Credits
Werner Poetzelberger : Producer
Helmut Bressler : Programmer
Matthias Strohmaier : Programmer
Martin Hebestreit - Vehicle / Landscape Modeller
Ulrich Radhuber - Vehicle / Landscape Modeller
Christoph Staber - Lead Vehicle Animator
Patrick Zeymer - Vehicle Animator
Staging Design - Jakob Illera Inseq

Production stills


Research


2011 · Royal Ballet

Royal Opera House

Staging with 900 x 700 artist - designed frameless rear projection wall
May 13th 2011 - May 20th 2011

The Royal Ballet’s resident choreographer Wayne McGregor evolves his surprising series collaborations with artists in a world premiere for The Royal Ballet, wherein visual artist John Gerrard introduces a virtual landscape to the stage.  The real-time portrait of place unfolds to the enigmatic Tippett score Fantasia concertante on a Theme of Corelli, conducted by Barry Wordsworth, Music Director of The Royal Ballet.

http://www.roh.org.uk/about/the-royal-ballet

Response


Frater, Sarah: “Review – Royal Ballet Triple Bill”, The Stage, 26 May 2011

Dougill, David: “Military Manoeuvres”, Sunday Times Culture, 22 May 2011

Gilbert, Jenny: “Review – Royal Ballet Triple Bill”, The Independent, 22 May 2011

Jennings, Luke: “Pink Chiffon and Scorched Earth”, The Observer, 22 May 2011

Norman, Neil:  “Dance Review – Triple Bill, Royal Ballet, The Royal Opera House, London”, Daily Express, 20 May 2011

Nixey, Catherine: “Wayne McGregor and John Gerrard team up for Live Fire Exercise” The Times 07 May 2011

Thorpe, Edward: “Royal Ballet is under fire”, H&H Series, 19 May 2011

Crisp, Clement:  “Review – Royal Ballet Triple Bill”, The Financial Times, 18 May 2011

Craine, Debra: “An Explosive Experience”, The Times, 18 May 2011

Mackrell, Judith:  “Shock and awe take center stage in a ballistic assault on ballet”, The Guardian, 17 May 2011

Crompton, Sarah: “Review - Wayne McGregor, Royal Ballet, Royal Opera House”, The Telegraph, 17 May 2011

Winship, Lyndsey: “Theatre of Conflict”, Time Out, 12 May 2011

Craine, Debra: “Critic’s Choice”, The Times Playlist, 7-13 May 2011

Najdowski, Rebecca 'The Good, The Bad, The Real' Daily Serving, January 20th 2013

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