Wayne McGregor / John Gerrard – Live Fire Exercise as performed by The Royal Ballet May 13th, 2011
9m x 7m artist - designed frameless rear projection wall
As with the other works in the Exercise series, Live Fire Exercise has been developed from a single image: a photograph from what is known as a 'live fire exercise' by the US Military, or an exercise using explosives. The photograph was sourced on the US military media interface site Defence Video and Image Distribution System: www.dvidshub.net
In addition to existing as a room-based installation in the line of other John Gerrard works, Live Fire Exercise exists as part of a stage production, and in interaction with live performers. This instantiation of the piece was a response to the commission of choreographer Wayne McGregor, who choreographed to it a 25-minute performance by the Royal Ballet. The work premiered at the Royal Opera House, London on May 13th 2011.
For the production, the scene is rear projected at 9 by 7metres on a freestanding wall set upon an empty grey plane of a stage. In the scene the original location in Djibouti has been recreated in the virtual, and populated with military vehicles sourced in the original image.
Dancers : Federico Bonelli, Lauren Cuthbertson, Akane Takada, Ricardo Cervera, Eric Underwood, Sarah Lamb
Producer: Werner Poetzelberger
Programmers: Helmut Bressler, Matthias Strohmaier
Vehicle / Landscape Modellers: Martin Hebestreit, Ulrich Radhuber
Lead Vehicle Animator: Christoph Staber
Vehicle Animator: Patrick Zeymer
Staging Design: Jakob Illera – Inseq
13 May 2011 – 20 May 2011
Staging with a 900 x 700 cm artist–designed frameless rear projection wall
The Royal Ballet’s resident choreographer Wayne McGregor evolves his surprising series collaborations with artists in a world premiere for The Royal Ballet, wherein visual artist John Gerrard introduces a virtual landscape to the stage. The real-time portrait of place unfolds to the enigmatic Tippett score Fantasia concertante on a Theme of Corelli, conducted by Barry Wordsworth, Music Director of The Royal Ballet.
http://www.roh.org.uk/about/the-royal-ballet
Frater, Sarah: “Review – Royal Ballet Triple Bill”, The Stage, 26 May 2011
Dougill, David: “Military Manoeuvres”, Sunday Times Culture, 22 May 2011
Gilbert, Jenny: “Review – Royal Ballet Triple Bill”, The Independent, 22 May 2011
Jennings, Luke: “Pink Chiffon and Scorched Earth”, The Observer, 22 May 2011
Norman, Neil: “Dance Review – Triple Bill, Royal Ballet, The Royal Opera House, London”, Daily Express, 20 May 2011
Nixey, Catherine: “Wayne McGregor and John Gerrard team up for Live Fire Exercise” The Times 07 May 2011
Thorpe, Edward: “Royal Ballet is under fire”, H&H Series, 19 May 2011
Crisp, Clement: “Review – Royal Ballet Triple Bill”, The Financial Times, 18 May 2011
Craine, Debra: “An Explosive Experience”, The Times, 18 May 2011
Mackrell, Judith: “Shock and awe take center stage in a ballistic assault on ballet”, The Guardian, 17 May 2011
Crompton, Sarah: “Review - Wayne McGregor, Royal Ballet, Royal Opera House”, The Telegraph, 17 May 2011
Winship, Lyndsey: “Theatre of Conflict”, Time Out, 12 May 2011
Craine, Debra: “Critic’s Choice”, The Times Playlist, 7-13 May 2011
Najdowski, Rebecca 'The Good, The Bad, The Real' Daily Serving, January 20th 2013
Share